My concept distortion of reality involves the idea in which nature and life as we see it is overcomplicated and interpreted in different ideas, opinions and actions. My notion of distortion of reality revolves around the surrounding differing perspectives of what the world could look and be like to different people. I am inspired by the surrounding common illusions within society that create contradictions and confusion within a population. During the process I found myself utilising unique techniques to construct illusions such as the ocean and sky digital printed weave at the hem of the trousers, to create the illusion from reality of the reflection of the sky creating the colour of the water. More everyday optical illusions we notice around us include heat waves as water, glass distorted reflections, and cars and number plates forming faces. The illusions within nature and manmade objects construct the idea of imagination forming depth in society which then associates with media manipulation and their inner constructions. I enjoyed designing and understanding the construction of each garment whilst challenging myself with new and innovative constructive techniques. My greatest challenge would include the linen weave, from taking the photos for the digital printing so that they would accurately match each other, to the laser cutting the strips equally on the weave, then weaving the strips so they are tight and line up to create the image, and sewing, modifying, cutting and attaching the weave to the hem of the trousers on a diagonal to create cohesion with the blazer pockets, the construction was delicate and difficult. The design, is curated of a consistent blue theme, creates cohesion and focalises aspects of the project. My choice of linen for the trousers and blazers is utilised to contrast in textures and accentuate the white satin bodice creating balance in the design. The consistent blue marbled lining connects the individual garments together along with the cohesion in decorative techniques such as the link with the rectangles in the weave and applique, and the organic lines from the couching, marbling and pin tucking. The specific closures for each garment ensure the fastening of the textiles art and allow for the removal and application of the garment. The seams and indivisible hems ensure the fabric does not fray and is able to withstand movement.
